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      <image:title>Services</image:title>
      <image:caption>Frans Francken the Younger, The Cabinet of a Collector (detail), 1617, oil on panel, 77.1 x 119.2 cm, London, The Royal Collection Trust. Photo: The Royal Collection Trust / Her Majesty Queen Elizabeth II.</image:caption>
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      <image:title>Services</image:title>
      <image:caption>Clara Peeters, Still Life with Flowers, Gilt Goblets (with a reflected self-portrait), Coins and Shells, 1612, oil on panel, 59.5 x 49 cm, Karlsruhe, Staatliche Kunsthalle.</image:caption>
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      <image:title>Services</image:title>
      <image:caption>Hans Holbein the Younger, The Ambassadors (detail), 1533, oil on oak, 207 x 209.5 cm, National Gallery of Art, London.</image:caption>
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      <image:title>Services</image:title>
      <image:caption>Johannes Vermeer, Woman Holding a Balance (detail), 1664, oil on canvas, 39.7 x 35.5 cm, National Gallery of Art, Washington, DC.</image:caption>
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      <image:title>Services</image:title>
      <image:caption>Titian, Portrait of the Collector Jacopo Strada, 1567-68, oil on canvas, 95 x 125 cm, Vienna, Kunsthistorisches Museum.</image:caption>
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    <loc>https://www.disegno.llc/about</loc>
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    <lastmod>2021-05-03</lastmod>
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      <image:title>About</image:title>
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    <loc>https://www.disegno.llc/forma</loc>
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    <lastmod>2021-06-28</lastmod>
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    <loc>https://www.disegno.llc/forma/marco-grassi</loc>
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    <lastmod>2021-06-28</lastmod>
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      <image:title>Forma - MARCO GRASSI</image:title>
      <image:caption>UGOLINO OF SIENA, THE CRUCIFIXION WITH THE VIRGIN, SAINT JOHN AND ANGELS.  CREDIT: MUSEO THYSSEN-BOREMISZA, MADRID.</image:caption>
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      <image:title>Forma - MARCO GRASSI</image:title>
      <image:caption>VILLA FAVORITA (c. 1660) ON LAKE LUGANO WAS WHERE GRASSI SPENT THIRTY YEARS CONSERVING THE FAMED COLLECTION OF BARON THYSSEN NOW HOUSED AT THE TYSSEN-BORNEMISZIA MUSEUM IN MADRID.  PHOTO: WIKIPEDIA.</image:caption>
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      <image:caption>DETAIL OF DUCCIO’S MAESTA ALTARPIECE, DUOMO DI SIENA, 1308-1311, GOLD AND TEMPERA.  PHOTO: WIKIPEDIA.</image:caption>
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      <image:caption>IN THE CHRISTO GRANDE PAPERING THE LAST SUPPER BY GIORGIO VASARI, IN FLORENCE AFTER THE FLOOD OF 1966.  PHOTO COURTESY OF MARCO GRASSI.</image:caption>
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      <image:caption>ALTHOUGH FLORENTINE BY BIRTH, SIENA IS GRASSI’S GREAT LOVE.  PHOTO BY NICOLE BLACKWOOD.</image:caption>
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      <image:title>Forma - MARCO GRASSI</image:title>
      <image:caption>GRASSI IN HIS NYC STUDIO.  PHOTO COURTESY OF MARCO GRASSI.</image:caption>
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      <image:title>Forma - MARCO GRASSI</image:title>
      <image:caption>GRASSI RAN A PRIVATE CONSERVATION STUDIO IN FLORENCE FOR MANY DECADES, WHERE HE WITNESSED THE HISTORIC FLOOD OF 1966, AN EVENT THAT TRANSFORMED CONSERVATION PRACTICES IN ITALY.  PHOTO BY NICOLE BLACKWOOD.</image:caption>
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    <loc>https://www.disegno.llc/forma/alessandra-merrill</loc>
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    <lastmod>2021-05-03</lastmod>
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      <image:title>Forma - ALESSANDRA MERRILL</image:title>
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      <image:title>Forma - ALESSANDRA MERRILL</image:title>
      <image:caption>THE PAIR OF AMERICAN SILVER ‘ELEPHANT’ PITCHERS MERRILL SPEAKS OF FROM TIFFANY &amp; CO., NEW YORK, DATED 1883.</image:caption>
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      <image:title>Forma - ALESSANDRA MERRILL</image:title>
      <image:caption>MERRILL BRINGING THE TABLE TO LIFE AT SOTHEBY’S WITH GEORGIAN SILVER EPERGNE FILLED WITH FLORALS.  PHOTO COURTESY OF ALESSANDRA MERRILL.</image:caption>
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      <image:title>Forma - ALESSANDRA MERRILL</image:title>
      <image:caption>A FAVORITE OF MERRILL IS THE ART NOUVEAU HORTA HOUSE IN BRUSSELS.  PHOTO: WIKIPEDIA.</image:caption>
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    <loc>https://www.disegno.llc/forma/james-coviello</loc>
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    <lastmod>2021-05-03</lastmod>
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      <image:caption>ARRANGEMENT IN CALKE ABBEY.</image:caption>
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      <image:title>Forma - JAMES COVIELLO</image:title>
      <image:caption>COVIELLO’S GUEST ROOM IN HUDSON VALLEY.  PHOTO COURTESY OF JAMES COVIELLO.</image:caption>
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      <image:title>Forma - JAMES COVIELLO</image:title>
      <image:caption>REFLECTING ON BEAUTIFUL OBJECTS, THIS MIRROR GIFTED BY COVIELLO’S MOTHER STANDS OUT.  PHOTO COURTESY OF JAMES COVIELLO.</image:caption>
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      <image:caption>COVIELLO AT HOME IN HIS BROOKYLN HEIGHTS FLAT. PHOTO COURTESY OF JAMES COVIELLO.</image:caption>
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    <loc>https://www.disegno.llc/forma/aimee-ng</loc>
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    <lastmod>2021-05-03</lastmod>
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      <image:title>Forma - AIMEE NG</image:title>
      <image:caption>ENTRANCE TO THE FRICK COLLECTION IN NEW YORK WITH MUNSON PICTURED ABOVE.  PHOTO: WIKIPEDIA.</image:caption>
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      <image:title>Forma - AIMEE NG</image:title>
      <image:caption>NG HAS WORKED EXTENSIVELY ON FRANCESCO MAZZOLA, CALLED IL PARMIGIANINO, INCLUDING HIS PORTRAIT SCHIAVA TURCA FROM c. 1530. GALLERIA NAZIONALE DI PARMA. PHOTO: WIKIPEDIA</image:caption>
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      <image:caption>NG AT THE FRICK COLLECTION. PHOTO COURTESY OF YVONNE ALBINOWSKI PHOTOGRAPHY.</image:caption>
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    <loc>https://www.disegno.llc/forma/hakim-jones</loc>
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    <lastmod>2021-05-03</lastmod>
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      <image:title>Forma - HAKIM JONES</image:title>
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      <image:title>Forma - HAKIM JONES</image:title>
      <image:caption>An extraordinary feat of calligraphy, this Qur’an represents a seldom-seen level of artistic perfection. Two of the period’s best-known artists, Ahmad al-Suhrawardi and Muhammad ibn Aybak, transcribed and illuminated the manuscript. The Mongol ruler Uljaytu (reigned 1304–16), a descendent of Genghis Khan, commissioned it for his monumental tomb in Sultaniyya, in northwestern Iran.</image:caption>
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      <image:title>Forma - HAKIM JONES</image:title>
      <image:caption>Double Page from the Qur’an, Safavid dynasty (1501–1722), 16th century, opaque watercolor and gold on paper, each page 31.8 × 21.0 cm (12 1/2 × 8 1/4 in.), Ann McNear Collection, Art Institute of Chicago.</image:caption>
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      <image:title>Forma - HAKIM JONES</image:title>
      <image:caption>Photo courtesy of Hakim Jones.</image:caption>
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